Elisabeth Hauptmann News

An exceptionally fine group of musicians and singers.

Opening on May 11th, the double program will be musically directed by Ira Levin, who heads the Orchestra do Thetro Sao Pedro and directed by Alexandre Dal Farra. The recital on May 12, Friday, will be broadcast for free on the YouTube channel of Theatro Sao Pedro.

Lyrical season will have 11 titles, including the premiere of O Machete, by Mehmari. Throughout 2023, will be presented of Il Seraglio, by Mozart, Cinderella, by Viardot, The Cunning Little Vixen, by Janácek, Dido and Eneas, by Purcell, among others. The program also includes ballet shows, symphonic and chamber music concerts.

Theo Ubique Cabaret Theatre announced the cast and creative team for their upcoming production of The Threepenny Opera playing at Theo's Howard Street Theatre March 10 through April 30, 2023.

Single tickets are now on sale for Theo Ubique Cabaret Theatre's 25th Anniversary Season. The company launches single ticket sales on the heels of its silver anniversary celebration in which they also revealed an exciting brand refresh with a new logo and website designed by GriffinWink Advertising.

Produced for the first time in Brazil, has the musical direction by American conductor Ira Levin, who leads the Orquestra do Theatro São Pedro, and scenic direction by Alexandre Dal Farra. Opening on September 1st, there will be seven recitals until September 11th.

Theo Ubique Cabaret Theatre's Artistic Director Fred Anzevino and Managing & Casting Director Christopher Pazdernik announced the 25th Anniversary season today with four musicals including a Midwest Premiere and Anzevino's return to directing for the company.

As the first main stage production in Australia in over forty years, Melbourne Opera and IOpera will present a stunning reinterpretation of Kurt Weill, Bertolt Brecht and Elisabeth Hauptmann's The Rise and Fall of the City of Mahagonny at The Athenaeum from 1 May.

New York City Opera will present Kurt Weill and Bertolt Brecht's thrilling double bill, The Seven Deadly Sins & Mahagonny Songspiel, for the first time ever told as one story, a tragic fable for today.

Roaring with charisma, wit and a killer cast, Victorian Opera presents Kurt Weill, Bertolt Brecht and Elisabeth Hauptmann’s anti-capitalist musical comedy, Happy End, from 23 – 26 March at Arts Centre Melbourne’s Playhouse. 

Roaring with charisma, wit and a killer cast, Victorian Opera presents Kurt Weill, Bertolt Brecht and Elisabeth Hauptmann's anti-capitalist musical comedy, Happy End, from 23 – 26 March at Arts Centre Melbourne's Playhouse.

From rock to Rossini, Victorian Opera announces its Season 2022 with a year of undiscovered gems, thrilling epics and two world premieres. The state opera company presents eight productions, including three Australian operas.

Learn more about the full season, and how to purchase tickets, here!

One of New York City's most innovative opera companies, City Lyric Opera (CLO), begins its fifth season with a never before seen live experience of power, technology, and storytelling. From October 29-November 15, 2020, CLO presents Weill and Brecht's musical comedy The Threepenny Opera in a virtual, fully produced show.

'The Threepenny Opera' by Bertolt Brecht and Kurt Weill is considered a masterpiece of 20th-century musical theatre. The UC Davis Department of Theatre and Dance will perform the 1928 work Nov. 14-23.

'The Threepenny Opera' by Bertolt Brecht and Kurt Weill is considered a masterpiece of 20th-century musical theatre. The UC Davis Department of Theatre and Dance will perform the 1928 work Nov. 14-23.

Currently playing at Open Eye Theatre is a delightful and laidback show that audiences seem to love. a?oeWhen The Shark Bitesa?? by Chronofon is a play...or a concert...it's actually a bit difficult to pin down what category this piece is in. But, nevertheless, it continues to entertain the audience and isn't that what matters? This performance follows the lives of Bertolt Brecht, Elisabeth Hauptmann, Lotte Lenya, and Kurt Weill. The show mainly focuses on the time surrounding World War I and a bit of World War II, but that doesn't seem to be the focus of the piece. 

Brecht and Weill's The Threepenny Opera (l'Opera de Quat'Sous in French) is one of those works that became the hallmark of its era. Its sound, its look, and its cynicism are pure Weimar. However, during the 1928 Berlin premiere, early songs such as 'The Ballad of Mac The Knife' and 'Pirate Jenny' landed with a shrug, and it wasn't until the 'Canon Song,' halfway through the first act, that the audience became engaged. All of this to say that The Threepenny Opera is a complicated play whose virtues might not be immediately evident to the uninitiated. The production at Avignon's Opera Confluence, as directed by Jean Lacornerie, comes in at a swift two hours without intermission. While crammed onto an over-packed stage and breathlessly paced, Lacornerie still manages to keep the action moving with style.

THE THREEPENNY OPERA is a 20th century classic that is rarely performed by a professional opera company. Boston Lyric Opera and Director James Darrah have brought together an ensemble of artists whose acting skills and stellar vocal talents distinctively portray the cast of memorable characters and beautifully render Kurt Weill's jazzy score.

National Theatre Live previously announced international broadcasts of the Rufus Norris' National Theatre production of The Threepenny Opera by Bertolt Brecht and Kurt Weill, in collaboration with Elisabeth Hauptmann, in a new adaptation by Simon Stephens tonight, September 22, 2016; and, Carrie Cracknell's acclaimed National Theatre production of Terence Rattigan's The Deep Blue Sea on Thursday, October 6, 2016.